“An elegantly effective set by Natalie Johnson instantly establishes the play’s cathedral setting with a pair of vaulted archways facing each other across a cramped belfry containing two ominously dangling bell-pulls, gathered in loops like nooses on a gallows. Tiny holes in the stage admit an eerie green glow suggesting bioluminescent fungus.” - The Stage

"The minimalist set design, combined with evocative soundscapes, effectively captures the isolation and despair of the two characters." - Broadway Baby

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“Natalie Johnson’s set is marked by a wooden minimalism: gothic rampant arches and slatted benches with ropes hanging off the ceiling are everything Hall’s project needs..” - Broadway World