"This well-judged restraint is echoed in the show’s understated design. Natalie Johnson’s set places the unfolding narrative in a featureless hall of mirrors with a floor as polished and reflective as a still pool. As Crane paces and jogs about the space, his multiple reflections stand in for other characters, stalking, circling and observing him." - The Stage

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"Designer Natalie Johnson cleverly creates a three-walled mirrored box for Sam Crane … such that we are both brought into the mise-en-abyme nature of the story’s ‘structure’ and see ourselves narcissistically whenever the house lights are up." - London Theatre 1 

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